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            <title>Gangster</title>
            <link>http://bollyfilmviews.yolasite.com/music-reviews/category/music-reviews/gangster</link>
            <description>&lt;font size=&quot;-1&quot; face=&quot;Arial&quot;&gt;&lt;b style=&quot;font-size: 14px;&quot;&gt;There are certain albums that come with a 
								guaranteed success tag, at least on the face 
								value. '&lt;i style=&quot;font-size: 14px;&quot;&gt;Gangster - A Love Story&lt;/i&gt;' is one 
								of them! After all why not when you have three 
								important factors that make the music of 
								'Gangster' HOT - &lt;br&gt;&lt;br&gt;
								a) Emraan Hashmi, who has an enviable success 
								rate of near 100% when it comes to music of his 
								films&lt;br&gt;&lt;br&gt;
								b) Mukesh Bhatt, whose films have always boasted 
								of popular melodious music for more than a 
								decade now&lt;br&gt;&lt;br&gt;
								c) Pritam, whose compositions have more often 
								than not hit a chord with the youth since the 
								time he started composing&lt;br&gt;&lt;br&gt;
								With factors like this, there are immense 
								expectations from 'Gangster' that also stars 
								last year's hottest male discovery Shiney Ahuja 
								in the title role along with newcomer Kangna 
								Ranaut who is touted to be the next Madhuri 
								Dixit in the making by none other than Mukesh 
								Bhatt himself. Directed by Anurag Basu who 
								returns after '&lt;i style=&quot;font-size: 14px;&quot;&gt;Murder&lt;/i&gt;' and a prolonged 
								life-threatening illness, 'Gangster' has lyrics 
								by Sayeed Quadri, Mayur and Neelesh Misra. &lt;br&gt;&lt;br&gt;
								K.K., who has been silently getting the best of 
								the songs to sing these days without too much of 
								hype and hoopla surrounding his work comes 
								behind the mike for '&lt;/b&gt;&lt;span style=&quot;font-size: 16px;&quot; tag=&quot;span&quot; class=&quot;yui-tag-span yui-tag&quot;&gt;
								&lt;/span&gt;
								
								
								
								&lt;b style=&quot;font-size: 14px;&quot;&gt;Tu Hi Meri Shab Hai', 
								a beautifully written number by Sayeed Quadri. A 
								love song in appreciation of one's lady love, 
								it's the rhythm in the signature interlude that 
								makes the number instantly catchy. A good 
								romantic song that is picturized on Emraan as he 
								plays the song with a guitar in his hand with a 
								night club setting, it is a song worthy of a 
								repeat hearing and that's exactly the reason why 
								it appears in two more remix versions. &lt;br&gt;&lt;br&gt;&lt;img src=&quot;http://images.songs.pk/music_images/gangster2.jpg&quot; align=&quot;right&quot; height=&quot;120&quot; width=&quot;200&quot;&gt; 
								First to come is '&lt;/b&gt;&lt;span style=&quot;font-size: 14px;&quot; tag=&quot;span&quot; class=&quot;yui-tag-span yui-tag&quot;&gt;
								&lt;/span&gt;
								&lt;b style=&quot;font-size: 14px;&quot;&gt;Euro Mix' that becomes 
								much more techno in the way it begins and brings 
								to fore the true blue club feel. Bunty Rajput is 
								the man behind this remix and makes '&lt;i style=&quot;font-size: 14px;&quot;&gt;Tu Hi 
								Meri Shab&lt;/i&gt;' much more hip-n-happening. Expect 
								it to be played in the hottest clubs and the 
								pubs soon! &lt;/b&gt;&lt;b style=&quot;font-size: 14px;&quot;&gt;Jatin Shama comes up with his 
								own remix version and does a good job to ensure 
								that the song is heard till the very end of the 
								album. &lt;br&gt;&lt;br&gt;
								Bhatts have introduced many Pakistani singers to 
								Bollywood but this time around it's the turn of 
								a Bangladeshi singer to make a mark. James, an 
								extremely popular singer in Bangladesh, makes 
								his Bollywood debut with '&lt;/b&gt;&lt;span style=&quot;font-size: 14px;&quot; tag=&quot;span&quot; class=&quot;yui-tag-span yui-tag&quot;&gt;
								&lt;/span&gt;&lt;b style=&quot;font-size: 14px;&quot;&gt;Bheegi Bheegi', 
								a song written by Mayur, which is based on 
								Gautam Chatterjee's '&lt;i style=&quot;font-size: 14px;&quot;&gt;Prithvi&lt;/i&gt;'. This is 
								the same number that has the lyrics '&lt;i style=&quot;font-size: 14px;&quot;&gt;Na Jaane 
								Koyi&lt;/i&gt;' that have been beamed in the 
								theatrical promos so far. An excellently well 
								written, composed and sung song that is bound to 
								make you longing for more, '&lt;i style=&quot;font-size: 14px;&quot;&gt;Bheegi Bheegi&lt;/i&gt;' 
								has a lethal combination of rhythm and melody 
								that makes it a highly exciting piece of music. 
								Expect the number to be a hot favorite in the 
								campus and bonfire parties as it is certainly 
								going to climb to the top bracket. &lt;br&gt;&lt;br&gt;
								Neelesh Misra written '&lt;/b&gt;&lt;span style=&quot;font-size: 14px;&quot; tag=&quot;span&quot; class=&quot;yui-tag-span yui-tag&quot;&gt;
								&lt;/span&gt;&lt;b style=&quot;font-size: 14px;&quot;&gt;Lamha Lamha' is 
								yet another example of a beautifully composed 
								song that has a poetic feel to it. Abhijeet is 
								marvelous in this soft melodious track that has 
								been given a sweet feel by Pritam with effective 
								usage of light musical arrangements. An easy on 
								ears number that has been composed in true Bhatt 
								tradition, '&lt;i style=&quot;font-size: 14px;&quot;&gt;Lamha Lamha&lt;/i&gt;' is yet another 
								good song in succession that also appears in a 
								duet version with Sunidhi Chauhan giving company 
								to Abhijeet. &lt;br&gt;&lt;br&gt;&lt;img src=&quot;http://images.songs.pk/music_images/gangster3.jpg&quot; align=&quot;right&quot; height=&quot;120&quot; width=&quot;200&quot;&gt; 
								After an import from Bangladesh, it’s the turn 
								of yet another new voice Zubeen, this time from 
								Assam, to make his Bollywood debut. And no, it’s 
								not a &lt;i style=&quot;font-size: 14px;&quot;&gt;sufi&lt;/i&gt; track as one may expect from 
								lyrics like '&lt;/b&gt;&lt;span style=&quot;font-size: 14px;&quot; tag=&quot;span&quot; class=&quot;yui-tag-span yui-tag&quot;&gt;
								&lt;/span&gt;
								&lt;b style=&quot;font-size: 14px;&quot;&gt;Ya Ali'! In fact it is a 
								love song for a man who is passionately in love 
								with his beloved and is willing to give away 
								everything for the sake of his love. A techno 
								fusion number written by Sayeed Quadri and set 
								in contemporary style, it should manage to go an 
								extra distance if picturized on Emraan Hashmi as 
								it fits on well with his on-screen image. Still 
								when compared to the songs prior to it, it is 
								just a step or two behind due to its situational 
								feel. &lt;br&gt;&lt;br&gt;
								Last song in the album is '&lt;/b&gt;&lt;span style=&quot;font-size: 14px;&quot; tag=&quot;span&quot; class=&quot;yui-tag-span yui-tag&quot;&gt;
								&lt;/span&gt;&lt;b style=&quot;font-size: 14px;&quot;&gt;Mujhe Mat Roko', 
								a semi classical track by Kavita Seth, who 
								excels in this extremely slow moving yet 
								touching and meaningful number. The first of its 
								kinds ever that has been composed by Pritam, it 
								makes a remarkable shift from the peppy tunes 
								that the composer has been known for. The song 
								belongs to the same genre as the tracks from '&lt;i style=&quot;font-size: 14px;&quot;&gt;Hazaaron 
								Khwahishen Aisi&lt;/i&gt;' that establishes its 
								classical base. A good situational number about 
								a woman longing to be with her lover, it should 
								create a haunting feel to the narrative. Expect 
								'&lt;i style=&quot;font-size: 14px;&quot;&gt;Mujhe Mat Roko&lt;/i&gt;' to force you to be glued 
								to your seats. &lt;br&gt;&lt;br&gt;
								Don't expect an '&lt;i style=&quot;font-size: 14px;&quot;&gt;Aashiq Banaya Aapne&lt;/i&gt;' [&lt;i style=&quot;font-size: 14px;&quot;&gt;Aashiq 
								Banaya Aapne&lt;/i&gt;] or a '&lt;i style=&quot;font-size: 14px;&quot;&gt;Jhalak&lt;/i&gt;' [&lt;i style=&quot;font-size: 14px;&quot;&gt;Aksar&lt;/i&gt;] 
								from this Emraan Hashmi movie as '&lt;i style=&quot;font-size: 14px;&quot;&gt;Gangster&lt;/i&gt;' 
								has an altogether different theme and mood. 
								Instead watch out for some good variety in this 
								score by Pritam that has at least two 
								chartbusters '&lt;i style=&quot;font-size: 14px;&quot;&gt;Bheegi Bheegi&lt;/i&gt;' and '&lt;i style=&quot;font-size: 14px;&quot;&gt;Tu 
								Hi Meri Shab Hai&lt;/i&gt;' in the offering. '&lt;i style=&quot;font-size: 14px;&quot;&gt;Lamha 
								Lamha&lt;/i&gt;' too is another good reason to go for 
								the album while the remaining two situational 
								numbers ['&lt;i style=&quot;font-size: 14px;&quot;&gt;Ya Ali&lt;/i&gt;', '&lt;i style=&quot;font-size: 14px;&quot;&gt;Mujhe Mat Roko&lt;/i&gt;’] 
								should look good on screen. Overall, a good 
								album for your collection! &lt;/b&gt;
								&lt;br&gt;&lt;/font&gt;</description>
            <pubDate>Sun, 10 Jan 2010 16:34:21 +0100</pubDate>
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